Once More 16 joins the permanent collection of the David C. Driskell Center for for the Study of Visual Arts and Culture of African Americans and the African Diaspora, on the campus of the University of Maryland, College Park.
Once More 16, oil on canvas, 16 x 20 inches, 2017
As Beginning, a painting from the year 2000, was recently added to the permanent collection of the Dallas Museum of Art.
As Beginning, oil on linen, 72” x 72”, 2000
September 9 - October 23, 2021, Philip Slein Gallery, Saint Louis. Including artists James Bishop, Louis Cameron, Robert Crumb, Vaughn Davis, Jr., John Dils, Carroll Dunham, Keltie Ferris, Alison Hall, Warren Isensee, Valerie Jaudon, Jonathan Lasker, Sol Lewit, Eva Lundsager, Jonathan Meese, Douglas Melini, Wardell Milan, Jim Nutt, Gary Panter, Lamar Peterson, Robert Sagerman, Cary Smith, Barbara Takenaga, Dan Walsh, John Wesley, John Zinsser.
Every There 24, watercolor and sumi ink on paper, 24 inches x 18 inches.
An exhibition of artists who studied with Dr. David C. Driskell, renowned artist, historian and educator, held at the Driskell Center for the study of visual arts and culture of African Americans and the African Diaspora. While planned as an in-person exhibition, it moved on-line due to the Covid pandemic. https://driskellcenter.umd.edu/david-c-driskells-students Artists included: Terry Adkins, Michael Atkins, Jeremy Austin, Arthur Bacon, Pati Beachley, Tim Beard, Michael Borders, Gloria Brown Simmons, Matthew Clay-Robison, Emily S. Conover, T.J. Dedeaux-Norris, Janice Darden Frame, Joseph Hamilton, Shaun Leonardo, Eva Lundsager, Cecilia Mandrile, Angela W.C. Niyi, Mary Lovelace O’Neal, Adrienne Patel, Beverly Paul, Jefferson Pinder, Stephanie Pogue, Karen Powell, Ellington Robinson, Preston Sampson, Gail Shaw-Clemons, John Simmons, Sylvia Snowden, Frank Stewart, Lou Stovall, Franklin White, Ernestina “Tina” Wyatt, and Sophia Zarambouka.
Eva Lundsager, Once More 11, oil on canvas, 16 x 20 inches, 2017.
Take Five at Philip Slein Gallery in St. Louis, Mo. Including Andrea Belag, Keltie Ferris, Joanne Greenbaum, Eva Lundsager, and Jackie Saccoccio, opening September 12, 2020. http://www.philipsleingallery.com/current-exhibitions
Eva Lundsager, Doing So Still, oil on linen, 58 x 52 inches, 2015-2019
Singular and Serial at Cove Street Arts in Portland, Maine. Titled after Catherine Kernan’s book Singular and Serial: Contemporary Monotype and Monoprint , and curated by Kernan, Jane Goldman and Christine Tegeler Beneman. July 9 - September 19, 2020. https://www.covestreetarts.com/exhibitions-1/singular-and-serial
Constellation 30, published by Center Street Studio.
The Washington Art Association is pleased to present “Monoprint 2020 – Printers and Presses”, an exhibition curated by John Thompson and Nancy Lasar on view March 7 through April 26.This exhibition has been extended due to COVID-19. “Monoprint 2020 – Printers and Presses” features artists, printers and professional presses who have explored the monoprint process in both simple and complex forms. WashingtonArtAssociation.org
Constellation 9, monotype, 24” x 18”, 2017.
DYKWTCA (Do You Know Where The Children Are) is a call to action and exhibition of 100+ unique works of art by 100+ leading visual artists that is organized by the artists and activists Mary Ellen Carroll and Lucas Michael. Each work incorporates, or represents an actual account (in whole or in part) from a child who was separated from their family and detained by the US government. Open on Saturday, January 25, 2020 and running until Saturday, March 28, 2020. The works of art will benefit a blind charitable pledge drive that will be announced shortly through DYKWTCA.com.
The text in my painting is from a 15 year old girl:
I arrived in the United States nine days ago. I have been at the Clint Border Patrol Facility for nine days. There are many children here. I have been staying in a room with 25 children. There were no beds, only four mats. We would put two mats together and sleep six children on them. The rest of the children slept right on the ground, including little children. It is concrete. There are babies, as well as older children. They give us two blankets. One to put on the concrete and the other to put over us. There was a two-year-old boy who had been in quarantine because he was sick. There was another girl taking care of him, but she also got sick so when he was released from quarantine, I started to take care of him. I am the third teenage girl who have tried to take care of this little two-year-old boy.
This exhibition and call to action is expected to travel. For more info go to DYKWTCA.com
There are Many Children Here, watercolor, sumi ink and burnished text on paper, 14” x 11”, 2019.
Images of all the pieces in the exhibition The World is a Handkerchief, see previous post for a list of all the artists.
El Mundo es un Pañuelo, or The World is a Handkerchief, expresses how very small the world can be. Organized by Claudia DeMonte and Cecilia Mandrile, it is on exhibit at the London Print Studio Gallery through June 4, 2019. This exhibition celebrating community and friendship among artists will travel to additional venues. See all the artwork @theworldisahandkerchief
